Tom Hess,How To Make It In Music By Eliminating Your “Risk” Articles international music career mentor and guitar player in the 1.5+ million album selling operatic metal band Rhapsody Of Fire discusses what it takes to achieve success as a pro musician.
How is it that many people cannot seem to achieve success as professional musicians, while some people quickly build and develop highly successful music careers? One of the ideas that I continually stress in my articles is how your success as a professional musician is directly related to your ability to build value while minimizing risk (if you are not familiar with this concept, take this music career success building test now before reading this article). Once you have become familiar with this idea, your potential for success in the music industry will increase tenfold. However, to get everything out of your potential, you must do more than simply ‘know’ about this concept.
As a trainer to musicians, the main thing I train people to do is to learn how to become effective at offering maximum value with minimum downsides/risk with every action taken. In my experience I noticed that most musicians easily grasp the idea of lowering their risk in conventional/obvious ways, however many people do not realize that even their ‘positive’ traits and skills can hold elements of severe music industry risk. This lack of awareness makes it much more difficult (if not impossible) to reach lasting success in one’s career as a professional musician.
To end up as one of the few highly successful musicians, you MUST find out how to reduce the inherent weak points that lie on the opposite extreme of your music career strengths. As you read the rest of this article, I will demonstrate how to do this and explain how this analysis will bring you closer to the music career success that you want.
The Introspective Character Of A Professional Musician
In the process of working towards a music career, you have no doubt spent a lot of time to acquire skill sets with intention of using them in your musical projects. At the same time, if you are like most musicians, all your skills were acquired in a random fashion, lacking an underlying plan of how these ‘assets’ will fit together to enable you to build a music career. As a result of this random planning, it is more than likely that your positive pieces of value will also contain contradictory weaknesses that can be interpreted as damaging elements of risk if they remain unchanged. I observe this unfortunate scenario very often in musicians in all areas of the music business, and the most frustrating part is that this frequently happens without them being aware of it.